MARIO MASTROPIETRO

In your opinion, which is the most inspiring aspect of operating in the exhibition design?

Thanks to my exhibition design “critic”, “historian” and “promoter” activity, I am now convinced that the most inspiring aspect is to be found in the work complexity itself. Many and the most varied objects and/or concepts, many competences and professionalism to be actually arranged in a relation space: in that very space, for that given time. This is to say, the ability to synthesize through the project, which encourages the constant research for the most appropriate language and of most adequate means. At least, this is what I have understood from the works (and from the relative backstage) of various clever exhibition designers I have met.

Why did you join Associazione IDEA?

Because of the desire of contributing to an ever- increasing qualification and recognizability for an extraordinary design domain.