In your opinion, which is the most inspiring aspect of operating in the exhibition design?
Giving shape, under any given condition, to a space able to give birth to a rational emotion, thus supporting what is actually shown to be attentively observed, to be looked at with interest, to be understood within a short circuit with the observer.
Among the projects carried out, would you mention at least one of which you are proud and that makes you think: will I be remembered for this?
The Monte dei Paschi di Siena headquarters; the evidence poster for Pinelli, 1972.
Is there a somebody else's project which arouses your admiration to the extent that you would have liked to conceive it?
The Neue Nationalgalerie of Berlin by Mies van der Rohe.
Is there a professional goal not yet achieved, a challenged not yet accepted?
Making a bit more money and taking part in a real urban renewal project in Italy.
Why did you join Associazione IDEA?
For the concept and company's good nature.